The descent
Above, you wait for the light. Below, you carry it in with you — and every shot is really about the six feet of water between the strobe and the lens.
The tank runs low before the eye does. Somewhere near the surface, the two bodies of work meet.
Return to land
You don't photograph a landscape. You photograph the fifteen minutes it agrees to hold still.
Working depth
Richard shoots two things that don't usually share a portfolio: open landscape and open water. Above ground, the work is slow — waiting on weather, returning to the same ridge until the light does something worth keeping. Below the surface, it's the opposite — a rig, two strobes, careful cable routing, and a window of a few minutes before visibility or air runs out.
One camera bag, two kits — a tripod for the mornings, a rig and strobes for everything after.